Sarah, Pannill, and Harvey discuss Amelia Jones' article on the conceptual body in the new TDR, the first part of the Goodman Theatre's stage adaptation of Roberto Bolaño's 2666, and advice for graduate students starting this fall.
Links to some of the things we discuss on this episode:
Amelia Jones’ article, “Encountering: The Conceptual Body, or, a Theory of When, Where, and How Art ‘Means’”
The free stream of the Goodman Theatre’s production of Roberto Bolaño’s 2666
Kyla Tompkins twitter essay for first generation graduate students
Mel Gordon’s NYT obituary