Sarah Bay-Cheng is Professor of Theatre and Dance at Bowdoin College in Brunswick, Maine, where she teaches theatre history and theory, dramatic literature, and contemporary performance. In 2015, she was a Fulbright Visiting Professor in Media and Cultural Studies at Utrecht University in the Netherlands. Her recent publications include Performance and Media: Taxonomies for a Changing Field (2015) and the book series Avant-Gardes in Performance at Palgrave. She serves on the Board of Directors for Performance Studies international (PSi) and the editorial boards of journals including Theatre Research in Canada and the Journal of Dramatic Theory and Criticism. Follow Sarah at www.sarahbaycheng.net and on Twitter @performaddict.
Pannill Camp is Associate Professor of Drama and Chair of the Performing Arts Department at Washington University in St. Louis. He teaches courses on eighteenth-century theatre, performance theory, and topics including theatre space, acting, and contemporary comedy. His book, The First Frame: Theatre Space in Enlightenment France (2014) received an honorable mention for the ATHE Outstanding Book Award and was a finalist for the Kenshur Prize in Eighteenth-Century Studies. His research has also appeared in Theatre Journal, Philological Quarterly, and Performance Research. Follow Pannill on Twitter @pannill.
Harvey Young is Dean of the College of Fine Arts at Boston University. His seven book publications include Theatre & Race (2013) and Embodying Black Experience (2010). His research on the performance and experience of race has been profiled and/or cited in media including The New Yorker, The New York Times, and The Chronicle of Higher Education. He has served on the Board of Directors of the American Society for Theatre Research (ASTR), as editor of Theatre Survey, and is the President of the Association for Theatre in Higher Education (ATHE). Learn more about Harvey at www.harveyyoung.net. Follow him on Twitter at @HarveyYoungBU.